This hem contains three combinations of hats and the price is the same as Rp. Janitra batik in a long shirt from the texture of the archipelago seems to use a mixture of red and orange colors, because the edges are close to peach. Only relative price, which is 66,000.00 IDR 7. Read More : “Wounds on the forehead, there are marks on the neck.” An 11-year-old girl found deadīecause the red hem of the above ethnic design mixes Gus Azmi’s koko pattern. If you have a partner who appears in syar’i clothes, then this shirt is perfect for a couple outfit. Batik combined hem with long sleeves photo source: .id Including the most sought after batik stamp even if the price is Rp. This Kanigara Batik shirt is an XL size and not only for a slim fit body, although there are S-XXL sizes. The collar is lightly tailored so that it can be used as one of the most popular outfits for contemporary men. The Adikusuma batik hem with a mega leaf motif is a shirt with short sleeves made of premium cotton. Batik Adikusuma Hem Mega Leaf photo source: Unlike the others, the red long-sleeved shirt is not arranged in a slim fit pattern, so it does not put too much pressure on the body.įree and comfortable to wear, the old patterned top was sold at Rp. 210,000.00 because it uses semi-silk material and the buttons are thought to be vague. Arjunaveda Batik Paddy Fan photo source: īatik Arjunaveda Kipas Padi is available in different colors such as black, green, blue and now brown. Made of cotton and a sharp collar with a pattern, of course you can wear it to formal events. Batik Adikusuma Men Hem Batik Songket Denim photo source: īatik Adikusuma denim songket is ethnically designed using a very attractive merun red base. The outcome? You can choose the one that suits your style. We feel that the color red makes a man look more elegant and beautiful. Therefore, we try to meet the demand for trends by reviewing various models of red batik clothes especially for men. In addition to the fact that they have to match the clothes, sometimes they also need to come up with ideas in order to be able to look in line with the couples who also wear modern outfits.Įven though most men are reluctant to be complicated and prefer simple models that can define their style of clothing. So, it’s not about the sex, but about the way we treat the plant, the cloth, and the paste with a touch of softness, gentleness and care.The dilemma of the appearance and choice of clothes seems to be experienced by men today. As the representation of the feminine, women balance the masculinity of indigo–although as we see it today, the idea was to have a touch of femininity when dealing with the masculinity of indigo. The philosophy of this masculine-feminine ‘dance’ can also be seen when we observe the fact that those who work with indigo, even in different countries like India or Vietnam, are women. However, since indigo is not a native plant from Java, some political reasons might caused the kingdom of Solo and Yogya to hide the blue underneath with ‘native colors’ like yellow and brown. This was known to our ancestors way before we can see molecules through a microscope. No wonder if the first step of batik making in the kingdom of Solo and Yogya was called mbironi (membirukan)–or blue-ing (literally translated into making ‘it’ blue ). Indigo and its tiny molecules can penetrate fabrics with the tightest fibers and binds other colors that follow. This process enables other secondary or tertiary colors to be absorbed better by the fiber. Thus, it was possible that before dyeing/coloring a batik cloth, our ancestors dyed the fabric blue with indigo first. In this sense, when both are mixed with the right way and in the right proportion, they will result in beauty.Ĭhemically, recent findings have shown that indigo is the most subtle solution that can reach and penetrate to even the smallest fiber of yarns. Indigo, with its blue color, is the masculine–while sogan (from tegeran wood, jambar bark, etc.) with its yellow tint, is the feminine. Our ancestors might have applied this philosophy of life in batik dyeing and coloring. When we find the rhythm where the two can dance harmoniously, beauty will appear. Dyeing and coloring, like everything else in life, is about the art of the opposite: of the feminine and the masculine. We believe that our ancestors had found the secret of natural dyeing and coloring–which can also be applied to living life in general. However, where is the ‘blue of indigo in Javanese batik? How come most of the island’s traditional batik are tinted with brownish and yellow ( sogan ) hue? Batik is a traditional technique of wax-resist dyeing applied to a piece of cloth that has been recognized globally by UNESCO as the Masterpiece of Oral and Intangible Heritage of Humanity.

Kelir batik